Scarecrow should be DC’s next horror movie. Joker and Clayface show Batman villains can carry their own films. Here’s the Pylcrow Villain-First Test, the numbers, and the best case against it.
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Clayface is DC’s first real horror movie, and it’s the No. 1 film in America right now. Here’s what it feels like, who it’s for, and which mood it fits.
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Street Fighter was No. 1 in America and critics gave it around 41%. Audiences gave it about 80%. Here’s why that gap exists and whether you should go.
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Critics weren’t kind to Verity, but it opened at No. 1 anyway. Here’s what the Colleen Hoover thriller is about, why audiences showed up, and which mood it fits.
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Other Mommy opened at No. 1 with a 17% Rotten Tomatoes score. Here’s what Jessica Chastain’s doppelgänger horror film gets right, what it gets wrong, and who should see it.
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Spider-Man: Brand New Day is close to $1 billion worldwide. Here’s why Tom Holland’s most grown-up Spider-Man hits harder than you expect, and which mood it fits.
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Michael Kiwanuka’s fifth album FUDGE was mostly finished before his stroke. That changes how it lands. Here’s what critics heard and what the record unlocks.
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Fontaines D.C.’s fifth album Dopamine Chamber features their first ever guest, Rosalía. Here’s what the record sounds like and why “Where Is Gone?” is the song to start with.
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Troye Sivan’s fourth album She’s the Best trades easy hits for a stranger, more inward sound. Here’s what critics say and the feeling it captures best.
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Ella Langley’s Choosin’ Texas has spent 24 weeks at No. 1 on the Billboard Hot 100, a new record. Here’s why a song about losing someone to a place took over 2026.
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